Because of the closing of thought to the problem of The Poisoning, radical artists were driven everywhere to a dialectic of confrontation by absurdism, a theater to oppose commerce and religion in order to bring about consciousness of it. Religion here means Darwinism and paganism married to consumerism and self realizationism. Artists didn't need a scientific basis for their theaters in art. The proofs surround every situation so that agencies of narcosis and escape were hard pressed. Confrontational archetypes such as this headline from Yeats go inside the maps metaphor, walk the metaphor before they walk true mind. This fairyland bubble pops. There branching visions lie inside earth, inside body, landscapes that measure what we do not know as an interior of Dante’s pic of what we are.
We shall excavate these fossils suspended in time and space where Saturn first ate in fear of his supplanting. They are not Davidic marbles. Societies eat earth from ignorance of doing, eat mountain, down river, pour atmosphere sea. Movie pictures predict that giants of obesity, concoctions of the manufactured imaginative bounds that bulge equators, force the unseen metaversal flesh to bump right up to the belly of a whale. Scale mile/inch, epic compass of worlds above/below, one world closer to the unseen than can be said. Munch up a mountain, pony up some sewage, drain an aquifer into a depression deep enough to save. We have our epic counterparts today to which Homer is a pariah and Noah a mere bubble. This metaphor about a giant metaphor prepares reality.
Working back, working around, we come to the Noah/Jonah cast into the sea in order to save the ship lest everyone drown. Jonah in the fish belly is in no grave, but this is a way of saying that it is. The Ship is the World! Before he's cast upon the beach Noah Met the Wilderness. This is what we should do were we to throw our outcasts out, put on them our sins, put them on our sins, tie their hands and drive them into space. If you're not entirely getting this you may read further in the deep below. Here we manufacture a horse from sin, a donkey, mules, spaceships, anything to carry them. Sin carries sin. They threw them over in the past, but did not throw Paul to save themselves because he saved them all (Acts 27). Cases are never the same. He is their salvation, not a pariah. How to tell apart pariah from savior? "It is, rather, largely the result of work by people with...PhDs" says David Orr (c. 1990). It is too soon to talk of the shells cast off by *autodactylmorphs. That is part automobile, part dinosaur, part invention. How wonderfully we void the wilderness. "Science has conquered nature." This product of natural forces, Co2, was buried before the age began, above in air and under in sea, this metaphor about a giant metaphor that prepares reality?
Milton descended into Blake's left foot! (Davis, 105). Blake wrote of the psychological dimensions of the fall of Adam that he allegorized to the thought of Boehme.